扬州画派的作品不仅流于扬州市场，更是影响了周围各地域的绘画风格取向。以清代扬州画派的代表人物黄慎为例，他热衷于交际，以诗画会友，并且有丰富的游历经历，使得他的作品在与当地文人的交流中广泛传播。揭阳老厝壁画作为民间艺术的表现形式之一，同时受到了时代社会背景、民间文化接受等因素的影响，可视为一种富有时代感的地域文化体现，在一定程度上也能体现当时文化的分布与交融。老厝壁画由于其材质和环境难以妥善保存，能找到完整的画作实属不易。本文选取了清代以来画工审美具佳，质量较好的揭阳老厝壁画进行分析，考察可发现黄慎人物画作的痕迹。 第一章分析黄慎人物画风格的产生与发展，从黄慎的个人家庭背景和游历作画经历出发，将黄慎人物画的绘画风格变迁分为早期工细写实、中期兼工带写、晚期以书入画三个阶段。并且选择各个阶段的代表作品进行具体分析，说明黄慎的绘画风格对后世海内外画家的影响。第二章追溯揭阳老厝壁画的历史源流。潮汕具有环山临海的地理区位，孕育了开放包容的移民文化。在文化传播的过程中，扬州画派与潮汕文化之间有着儒释道文化和反叛精神的共性，且潮汕特有文化对该地的老厝壁画题材也产生了影响。第三章阐述黄慎人物画风格对揭阳老厝壁画的影响，具体从造型、线条、作品思想的角度分析黄慎人物画风格在揭阳老厝壁画人物中的体现。第四章阐释黄慎人物画风格对笔者创作的影响。揭阳老厝壁画具有鲜明的地域特色，且从细节上体现出多元文化融合，分析扬州画派对揭阳老厝壁画的影响，有助于推动民间绘画以及人物画的研究。

The works of the Yangzhou School of Painting not only flowed in the Yangzhou market, but also influenced the painting styles of surrounding regions. Take Huang Shen, a representative of the Yangzhou School of Painting in the Qing Dynasty, for example. He was keen on socializing, making friends with poetry and painting, and had rich travel experience, which made his works widely spread in the exchanges with local literati. As one of the forms of folk art, the Jieyang old house murals were also influenced by factors such as the social background of the times and the acceptance of folk culture. They can be regarded as a manifestation of regional culture with a sense of the times, and to a certain extent, they can also reflect the distribution and integration of culture at that time. The old house murals are difficult to preserve properly due to their materials and environment, so it is not easy to find complete paintings. This article selects the Jieyang old house murals with good aesthetics and good quality since the Qing Dynasty for analysis, and the traces of Huang Shen's figure paintings can be found in the investigation. Chapter 1 analyzes the emergence and development of Huang Shen's figure painting style. Starting from Huang Shen's personal family background and travel experience, the changes in Huang Shen's figure painting style are divided into three stages: early meticulous realism, mid-term combination of realism and writing, and late calligraphy. And select representative works of each stage for specific analysis to illustrate the influence of Huang Shen's painting style on later painters at home and abroad. Chapter 2 traces the historical origins of Jieyang old house murals. Chaoshan has a geographical location surrounded by mountains and the sea, which has nurtured an open and inclusive immigrant culture. In the process of cultural communication, the Yangzhou School of Painting and Chaoshan culture share the common characteristics of Confucianism, Buddhism, Taoism and rebellious spirit, and the unique culture of Chaoshan also has an impact on the themes of the old house murals in this area. Chapter 3 explains the influence of Huang Shen's figure painting style on Jieyang old house murals, and specifically analyzes the embodiment of Huang Shen's figure painting style in the figures of Jieyang old house murals from the perspective of modeling, lines, and work ideas. Chapter 4 explains the influence of Huang Shen's figure painting style on the author's creation. Jieyang old house murals have distinct regional characteristics, and reflect the integration of multiple cultures in details. Analyzing the influence of the Yangzhou School of Painting on Jieyang old house murals will help promote the study of folk painting and figure painting.