伴随着时代的进步，现代艺术与视觉产生了一系列的变化。艺术家对空间和 体积的把握是再现人对自然改造最基本的要求。在当代艺术的材料和艺术表现形 式日趋多样化的情况下，艺术作品的呈现出多元的表达途径。在绘画艺术的把握 上,新一代艺术家对空间的探索与发现也有了新的认识，画面不再是从纯粹的再 现表现到具象和抽象的方式，而是具象绘画艺术的大师们在历经了几十年的实践 中，逐渐发展出有别于 19 世纪对于绘画空间经营的展示方式，画面中空间与结 构为核心的整体画面秩序感的语言因此登上舞台，这种新的方式又建立在原有 的、已奠定的绘画艺术对空间把握的基础上，同时融入了许多崭新的基因，将带 有强烈当代特质的符号性表现方式与绘画创作粘合在一起形成一种全新的表现 方式。在这样的时代下绘画现象也不再仅仅局限于摹写说的方式上，而是体现在 对空间与结构的再一次认识。 本文采取文献研究法、图像学方法和形式分析法的撰写方式，将空间与结构 进行梳理，同时去分析艺术家拉斯·艾琳(Lars Elling)的作品，力图说明图绘 时代下的具象绘画在画面的秩序上仍然将空间结构作为整体秩序的重要组成部 分，即整体的秩序与部分的关系对画面仍然有重要的意义。艺术家在自我完善与 前进的探索过程中，对架上绘画艺术的创作仍然保持着浓厚的新鲜感和活力。本 文对笔者来说不仅仅是一篇毕业论文，也是一次绘画道路上的梳理与总结，并归 纳出一些有用的经验。相信本文对空间的探究和思考能为正在从事艺术创作的画 家们提供有一些帮助，并带来一些启示。

With the progress of The Times, modern art and vision have produced a series of changes. The artist's grasp of space and volume is the most basic requirement for the reconstruction of nature. With the increasingly diversified materials and forms of artistic expression in contemporary art, artistic works present multiple ways of expression. In terms of the grasp of painting art, the new generation of artists also have a new understanding of space exploration and discovery. The picture is no longer from the pure representation to the concrete and abstract way, but after decades of practice, the masters of concrete painting art have gradually developed a different way of display from the 19th century for the management of painting space. Therefore, the language of the overall sense of order of the picture with space and structure as the core of the picture is put on the stage. This new way is based on the original and established grasp of space in painting art, and integrates many new genes to form a new way of expression with strong contemporary characteristics of symbolic expression and painting creation. In this era, the phenomenon of painting is no longer limited to the way of description, but reflected in the recognition of space and structure. This paper adopts the writing methods of literature research, iconography and formal analysis to sort out space and structure, and at the same time analyzes the works of artist Lars Elling, trying to show that the figurative painting in the age of drawing still regards space structure as an important part of the overall order. That is, the relationship between the order of the whole and the parts is still of great significance to the picture. In the process of self-improvement and exploration, artists still maintain a strong sense of freshness and vitality in the creation of easel painting. This paper is not only a graduation thesis for the author, but also a combing and summary on the road of painting, and summed up some useful experience. I believe that the exploration and thinking of space in this paper can provide some help for painters who are engaged in art creation, and bring some enlightenment.