蒙太奇是一种表现技巧，通过将不同场景、图像或事件剪辑在一起，以创造出一种 整体上的连贯性和情感张力。但蒙太奇的出现并非偶然，它不仅与电影技术紧密联系， 同时还深受人们日常思维方式、审美经验以及传统文化的影响。乔治·德·基里科作为 二十世纪“形而上绘画”代表人物，其作品深刻地影响了达达主义和超现实主义等多个 艺术流派。基里科的画面总是有一种挥之不去的神秘感，孤寂的建筑、无表情的模特、 形态各异的石膏像以及长长的影子，这些如梦似幻的元素融合了现实世界与超现实空 间，共同构建了一个超越现实时空界限的视觉领域。 本文旨在重新解读基里科的形而上绘画作品，探析其如何借助蒙太奇手法实现新的 视觉叙事。在作品分析上，总结和归纳蒙太奇在其作品中包括时空错置、分解和拼贴并 置四种具体应用方法及产生的效果。研究发现，基里科的作品不仅在视觉上超越了经典 叙事手法，而且在思想上也提供了丰富的表达形式。这一新的理解框架扩展了现有文献 中关于基里科在蒙太奇手法应用方面的研究，并从跨学科的视角出发，探讨了他的作品 与电影、文学和哲学的紧密联系。 基里科的艺术创新对后续艺术的发展产生了深远影响，尤其是对超现实主义的贡 献。这一研究强化了我们对于二十世纪艺术变革中关键人物和概念的理解，为基里科的 艺术实践和其在艺术史上的地位提供了新的认识。

Montage is an expressive technique that creates an overall coherence and emotional tension by editing different scenes, images or events together. However, the emergence of montage is not accidental. It is not only closely related to film technology, but also deeply influenced by people's daily thinking, aesthetic experience and traditional culture. Giorgio de Chirico, as a representative figure of "metaphysical painting" in the twentieth century, has profoundly influenced many art genres such as Dadaism and Surrealism. There is always a lingering sense of mystery in Chirico's paintings, with lonely buildings, expressionless models, plaster statues of different shapes, and long shadows, all these dreamlike and illusory elements fuse the real world with surreal space, and together they construct a visual field that transcends the boundaries of reality and space and time. The purpose of this paper is to reinterpret Chirico's metaphysical paintings and explore how he realizes a new visual narrative with the help of montage. On the analysis of the works, it summarizes and generalizes the four specific applications of montage in his works, including temporal and spatial dislocation, decomposition and collage juxtaposition, and the effects they produce. It is found that Chirico's work not only visually transcends classical narrative techniques, but also ideologically provides a rich form of expression. This new framework of understanding extends the existing literature on Chirico's application of montage techniques and explores his work's strong connections to film, literature, and philosophy from an interdisciplinary perspective. Chirico's artistic innovations had a profound impact on subsequent artistic developments, especially his contribution to surrealism. This study strengthens our understanding of key figures and concepts in the artistic transformations of the twentieth century, offering new insights into Chirico's artistic practice and his place in art history.