关羽是河东郡解县(今山西运城解州)人，《三国志》中其形象的生成动因离不开统 治者的推崇和文学或宗教的传播，促使其从人到神的转变，成为儒、释、道三教供奉的神仙，关公崇拜是山西标志性的文化现象之一。本文对青龙寺进行实地考察，以图像学、 美术学、社会学多角度对寺观关公人物形象的艺术特征进行整理阐述，再以稷山县青龙寺腰殿水陆壁画中的《往古人伦俗众图》中的关公人物造型作为主要参考对象来探讨对创作的影响。 本论文首先通过收集整理元明时期山西晋南地区水陆壁画的历史背景和社会情况， 阐述该地区水陆壁画的基本情况对其进行概述，笔者前往青龙寺腰殿实地调研该寺院壁画情况。青龙寺腰殿壁画保存较为完整且绘制水平较高，通过对壁画绘制内容的解读分 析，加以探究关公人物形象背后的社会形态与文化是如何在图像上表达民众的愿景。在 掌握该人物形象的历史背景后，从构图、造型、技法等探析其中的绘画语言与艺术特色。 最后，通过图像与文字相结合的分析方式，从历史和美术学的角度去探究人们对一个人物形象的认同以及其中的教化作用并将其转换创新融合形成具有个人理解角度的传统 与现实题材作品，从而进一步对壁画与思想文化之间的结合进行探讨。

Guan Yu was born in Xie County, Hedong County (now Xie Zhou, Yuncheng City, Shanxi Province). His image in The Three Kingdoms can not be separated from the praise of the rulers and the spread of literature or religion, which promoted his transformation from human to God and made him become an immortal worshipped by the three religions of Confucianism, Buddhism and Taoism. The worship of Guan Gong is one of the iconic cultural phenomena in Shanxi. This paper makes a field study of Qinglong Temple, and expounds the artistic characteristics of Guan Gong characters from the perspectives of imagology, fine arts and sociology. Then, it discusses the influence of Guan Gong characters in the ancient human ethics and custom map in the fresco of Qinglong Temple in Jishan County. Firstly, this paper collects the historical background and social situation of the water and land murals in the south of Shanxi Province in the Yuan and Ming dynasties, expounds the basic situation of the water and land murals in this area and summarizes them. The mural paintings of the waist hall of Qinglong Temple are relatively complete and painted at a high level. Through the interpretation and analysis of the contents of the mural paintings, the paper explores how the social form and culture behind the image of Guan Gong characters express the people's vision on the image. After mastering the historical background of the figure, the painting language and artistic characteristics are analyzed from the aspects of composition, modeling and techniques. Finally, through the analysis of the combination of images and words, from the perspective of history and art, to explore people's identification of a figure and its educational role, and transform it into a personal understanding of the traditional and realistic theme works, so as to further discuss the combination of mural painting and ideological culture.