二十世纪西方艺术源源不断呈现出新的艺术风格流派，相比起传统绘画，新风格的表现形式更加丰富多样，野兽派、立体主义、抽象主义等在二十世纪西方艺术界非常盛行。但也有不少艺术家坚持自我，保留世间物象的真实模样，通过传统的架上绘画描绘出生活中自然且真实的一面。以色列艺术家阿维格多？阿利卡就是其中的杰出代表。阿利卡打破传统的观察视角以及表现形式，把生活中的真实场景再现到画布上，这并不是单纯的对物象的描绘而是更深层次地表现物象的本质。 本文以阿利卡为例，论述其具象绘画时期的艺术风格，以及对中国写实绘画和笔者艺术创作的启发。第一章开门见山论述阿利卡具象绘画时期的代表作；第二章论述阿利卡形成具象表现绘画语言的缘由，包括童年时期受集中营生活的影响、青年时期的求学经历，抽象时期的绘画作品分析，阿利卡由抽象风格转向具象风格所遇到的人与事等；第三章采用对比研究的方法和图像分析法，分析当今中国写实绘画的发展状况，阿利卡的具象表现绘画作品给人们带来的启发，以及应该借鉴什么，如何做出改变和创新。同时，结合笔者的创作实践，论述极具个人特色的具象绘画语言对笔者产生的影响。

n the 20th century, western art continuously presented new artistic styles and schools. Compared with traditional painting, the expression forms of new styles were more diverse, such as fauvism, cubism and abstraction were very popular in the western art world in the 20th century. But there are also many artists who insist on their own, preserving the real appearance of the objects in the world, and depicting the natural and real side of life through traditional easel paintings. Israeli artist Avigdor Alika is one of them. Alika breaks the traditional observation perspective and expression form and reproduces the real scenes in life on the canvas, which is not a simple description of the object but a deeper expression of the essence of the object. This paper takes Alika as an example to discuss his artistic style in the period of figurative painting and his inspiration to Chinese realistic painting and the author's artistic creation. The first chapter begins with three representative works of Alika's figurative painting period. The second chapter discusses the reasons for alika to form the figurative expression painting language, including the influence of concentration camp life in his childhood, the study experience in his youth, the analysis of his paintings in the abstract period, and the people and things alika met when he changed from abstract style to figurative style. The third chapter uses the method of comparative study and image analysis to analyze the development of contemporary Chinese realistic painting, the inspiration brought to people by Alika's representational paintings, and what should be used for reference, how to make changes and innovations. At the same time, combined with the author's creative practice, this paper discusses the influence of the specific painting language with personal characteristics on the author.