在大数据数码图像时代，艺术家可以借助更多样的媒介来实现自身的艺术表达。其对媒介的了解势必影响其创作方式。通过不同的媒介进行艺术生产，如不同类型的实验艺术、集成装置、视频艺术、计算机和新媒体等已成为各个艺术学科的内容，以“媒介“作为研究主题的艺术表达成为20世纪至今艺术不断发展中最鲜明的特征。 水墨画的媒介转向指的是水墨画创作中对媒介、材料扩张的拓展手段，以水墨语言作为绘画的主体，在创作手法上朝向跨媒介的形态转向，在外表形式上采取多元并置的表达形态。如今，对媒介材料的研究也促进了水墨画创作手法的多样化，一方面，由于材料、技术和媒介依赖于其他形式的视觉艺术表现，另一方面，这种类型的转变激发了其他更广泛的艺术表达空间。 本文以“媒介”为切入视角，主要包括以下三个部分，第一部分通过追溯“媒介”的出场，分析梳理水墨画中媒介转向起源，第二部分结合当下语境水墨画发展脉络和个体实践进行分析，以“媒介先导”“物画相映”“以物观物”“多元陈展”等角度入手，通过作品辅佐阐述，归纳水墨画创作中媒介转向的角度，对水墨画中媒介转向的路径、语言特征进行分析。第三部分分析水墨画在媒介拓展中存在的问题，对其反思也会指导于自身创作。

In the era of big data and digital images, artists can utilize more diverse media to achieve their artistic expression. Their understanding of the media will inevitably affect their creative approach. The production of art through different media, such as different types of experimental art, integrated installations, video art, computers, and new media, has become the content of various art disciplines. The artistic expression with "media" as the research theme has become the most distinctive feature in the continuous development of art since the 20th century. The media turn of ink painting refers to the expansion of media and materials in the creation of ink painting, using ink language as the main body of painting. In terms of creative techniques, it shifts towards a cross media form, and adopts a diverse and juxtaposed expression form in appearance. Nowadays, the study of media materials has also promoted the diversification of ink painting creation techniques. On the one hand, due to the dependence of materials, technology, and media on other forms of visual art expression, on the other hand, this type of transformation has inspired other broader artistic expression spaces. This article takes the perspective of "media" and mainly includes the following three parts. The first part traces the emergence of "media", analyzes and sorts out the origin of the media turn in ink painting. The second part analyzes the development context and individual practice of ink painting in the current context, starting from the perspectives of "media leading", "object painting matching", "object viewing", and "diverse exhibition", and elaborates through the assistance of works, Summarize the perspective of media turn in ink painting creation, and analyze the path and language characteristics of media turn in ink painting. The third part analyzes the problems of ink painting in media expansion, and reflection on it will also guide one's own creation.