本文主要是记录、分析、整理并总结自己从生活到画面的创作实践过程，只从笔者自身创作思考的角度出发，客观分析艺术家及文学作品对我的创作的影响以及个人创作理念的建立过程。 在对生活进行认识、观察和体验的过程中，我认识到生活其实并不止步于我们所看到的，生活还包括了我们的观念、态度、立场等各种形而上的部分，这部分的生活不再是纯粹的记录所能展现的。而对生活不同阶段的理解和感悟，也影响着我记录生活的方式。从一开始的记录、模仿、再现生活到分析概括生活，最后是重塑和再造生活，也许记录、模仿、再现是艺术创作过程的基础，那分析概括生活就是在再现生活基础上的一种升华，而重塑和再造生活的创造过程就应是记录表达生活这整个创作的归宿。 贡布里希在《艺术的故事》这一书中也曾提到“整个艺术发展史不是技术熟练程度的发展史，而是观念和要求的变化史。[ 《艺术的故事》[英]贡布里希著，杨成凯校，范景中译，第49页]”而我们是活在社会生活里的人，我们大部分的创作灵感和素材也都来自于自己对日常生活的经验积累。所以在创作实践中，我坚持以现代社会当下的文化现象及文化内涵作为自己创作的起点，让自己从现实生活出发，在画面中寻求自己的思想理念和生活能在一个理想的临界点中融为一体，用自己独特的艺术风格把创作个性融入在自己的艺术作品或艺术形象之中，对现实生活加以个性的艺术表达。 笔者在记录现实生活和更了解自己内心世界的同时，也对于自身所处的时代作出了更深地思考与记录。通过对自己创作的记录与对自我艺术创作过程的归纳总结，让自己更清楚地认识到自己在创作学习中的定位与方向，也有利于更好地去规划自己在未来艺术创作路上的发展方向，我认为这对于本人的长远规划来说是有益处、决定性作用和必要性的。 我们常说，要了解一件艺术品、一位艺术家或一个艺术时期，必须正确地设想他们所属的时代精神和风俗概况，也就是说我们需要先去了解那个时代的社会生活和那位艺术家的生平经历等，这也说明了社会生活和时代经历也在一定的程度上决定了一件艺术品、一位艺术家，乃至艺术群体、艺术派别甚至艺术时代的出现。政治、经济、文化，都是生活的产物，艺术也不例外。

In this article，it is main to record，analyze and summarize the process which is from my life to creation. It is described from my own creative consideration, and then objectively analyze the artists and literary works that influence me and affect my creative ideas during all my creations. During the process of recognition，observation and experience in the life，I feel that it is limited we observe our lives. This part is not only depend on recording, our lives conclude our concept ,attitudes, standpoints and other thought. It affects me to record my lifestyle when I strive for life in different stages. It starts from recording ,imitating, reproducing and summarizing life, and we reshape and create a new life in the end. Maybe it is the basic part in the art creation process, we bottom reproducing lives on summarizing basis. During the whole creation process, reshaping and reconstructing lives should be the end result of recording and expressing lives. Gombrich has referred “the whole history of artistic development is not the history of technological proficiency, but the history of variational ideas and requirements” in his book. We all live in our worlds, so the majority of our inspiration are from our living experiences. During the daily art works, I insist cultural phenomena and cultural connotation in the modern society as a start for my creation, and start from my life. In the art creation, I combine my ideas with my life ,and mix them in the perfect point.what’s more, I add my unique artistic style to my art creation, and perform the real life by the personality art. When I record the real life and know more about my inner world, I also make a deeper think and record for current times. Through to records and generalizations my artistic creation process, I have clearly recognized the position and direction of creative learning. Besides, it is better for me to plan my future art direction. I think it is useful, decisive and necessity for my long-term plans. In order to know one artwork, an artist or an art source , we must think about their spirits and customs by the right way.It means that we need to learn their social lives and the artists’ background in that age. It also describes to some extent that social lives and the artists’ background shape one artwork, an artist or an art source, and even create art groups and art times.Politics, economics and cultures originate from lives, and arts are no exception.