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题名:

 栖居-象征主义景观绘画的诗意性表达    

姓名:

 柏欣汝    

学号:

 2021030221202    

论文语种:

 chi    

专业:

 美术    

培养层次:

 硕士    

培养单位:

 广州美术学院    

院系:

 绘画艺术学院(版画系)    

专业:

 美术    

导师1姓名:

 郑星球    

论文答辩日期:

 2024-06-30    

外文题名:

 Inhabitation:Poetic Expression in Symbolist Landscape Painting    

论文摘要:
象征主义在艺术史中如同一曲永不完结的悠扬诗篇,虽未像古典或印象派那样引起 轰动,却无疑开启了现代艺术的大门。它以独创的语言和生动的情感描绘出一个超现实 的神秘世界,深刻影响了野兽派、表现派直至今日的艺术潮流。 本文聚焦于象征主义艺术流派的形成过程,深入探讨象征主义的根源和演变及在景 观绘画中的独特表达,探索诗意性如何在象征主义的背景下得以显现和定义。并结合当 时独特的历史脉络、哲学思潮以及文学影响,对象征主义景观绘画中存在“诗意性”原 因进行剖析。 首先,深入分析象征主义景观绘画的历史形成与发展过程,同时通过第三章了解象 征主义景观绘画背景,找到“诗意性”存在的可能性和定义范围为下一章分析艺术家提 供强有力的观点。 再次,本文的主要环节,结合作品背景和内容,分为“万物景观”和“梦幻景观” 两个大类,以艺术家为代表,逐个分析他们画面中所呈现的“诗意性”和艺术家内心的 情感世界,深入讨论这些作品所蕴含的美学价值。通过对这些作品的深入解读,揭示东 方“诗意性”与象征主义景观画“诗意性”的深层契合,强调了两者之间的相互影响与融合。 最终,深入探究象征主义并挖掘其独特的视觉语言,加深了我们对其本质的理解, 也为艺术创作注入了灵感,如同诗意的笔触勾勒出新的艺术境界,让画作在画布上如诗 篇般生动绽放。
外文摘要:
Symbolism is like a never-ending melodious poem in the history of art. Although it did not cause as much sensation as classical or impressionistic art, it undoubtedly opened the door of modern art. It depicts a surreal and mysterious world with original language and vivid emotions, and has profoundly influenced the art trends of Fauvism, Expressionism and even today. This paper focuses on the formation process of the Symbolism art school, deeply explores the roots and evolution of Symbolism and its unique expression in landscape painting, and explores how poetic nature is revealed and defined in the context of Symbolism. It also analyzes the reasons for the existence of "poetic nature" in Symbolist landscape paintings, taking into account the unique historical context, philosophical trends and literary influences of the time. Firstly, the historical formation and development of Symbolist landscape painting is analyzed in depth, while the possibility and definition of the existence of "poetic nature" in the context of Symbolist landscape painting is understood in the third chapter, which provides a strong point of view for analyzing the artists in the next chapter. Once again, the main part of this paper, combined with the background and content of the works, is divided into two major categories: "Landscapes of Everything" and "Dream Landscapes", represented by the artists, and analyzed one by one the "poetic nature" and the artist's inner emotions presented in their paintings. We analyze one by one the "poetic nature" of their images and the emotional world of the artists, and discuss in depth the aesthetic value of these works. Through the detailed interpretation of these works, it reveals the deep-seated match between the "poetic nature" of the Orient and the "poetic nature" of the Symbolist landscape, and emphasizes the mutual influence and fusion between the two. Finally, it ends with the poetic nature of symbolic landscape painting, emphasizing the fit between Oriental "poetic nature" and symbolic landscape "poetic nature", exploring symbolism in depth and digging out its unique visual language, which deepens our understanding of its essence, and injects inspiration into the artistic creation, just like poetic landscape. It is as if the poetic brushstrokes outline a new artistic realm, making the paintings bloom vividly on the canvas like a poem.
分类号:

 J    

公开日期:

 2024-06-30    

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