“全国美术作品展览会”(以下简称“全国美展”)是中国美术界最具权威、 最大规模的国家级美术作品展览，也是最能体现不同时代的绘画水平与绘画特征 的展览。随着中国社会的发展和变迁，全国美展也经历了多次演变，从早期的重 视政治主题和革命历史题材，到后来更加注重日常生活中的微观叙事。 女性人物形象在绘画中扮演着重要的角色，常常被赋予了各种象征意义，这 些形象不仅展现了艺术家们的审美追求和思想观念，也反映了当时社会对于女性 形象的思考和态度。过去，女性形象往往受到传统观念的束缚，被局限在传统的 家庭角色和社会期待中，随着社会文化的逐渐开放和女性地位的提升，人们对女 性的认知也发生了变化，对女性形象的认识也逐渐从传统的模式转变为更加丰富 和多元化的视角。 本文结合了近四届全国美展中油画作品的女性形象，从题材、形象、色彩方 面入手，分析其美感经验风格特征的具体表现，通过引入美感经验的美学思想， 以“直觉说”、“距离说”、“移情说”三大板块为基础，加上后人对美感经验 的理解，从题材内容的美感经验、形象动态的美感经验、色彩语言的美感经验入 手，再与全国美展中女性形象结合起来进行分析解读，通过审视女性形象在不同 时期和不同文化中的表现，从而可以更深入地了解社会的观念和发展水平。

The "National Art Exhibition" (hereinafter referred to as the "National Art Exhibition") is the most authoritative and large-scale national art exhibition in the Chinese art circle, and also the exhibition that can best reflect the painting level and painting characteristics of different times. With the development and changes of Chinese society, national art exhibitions have also undergone many evolutions, from the early emphasis on political themes and revolutionary historical themes to the later emphasis on micro narratives in daily life. Female figures play an important role in painting and are often endowed with various symbolic meanings. These images not only show the artists' aesthetic pursuit and ideology, but also reflect the society's thinking and attitude towards female images at that time. In the past, female images were often bound by traditional concepts and confined to traditional family roles and social expectations. With the gradual opening of social culture and the promotion of women's status, people's cognition of women has also changed, and the understanding of female images has gradually changed from the traditional mode to a more abundant and diversified perspective. Combining the female images of oil paintings in the recent four national art exhibitions, this paper analyzes the specific expression of the style characteristics of their aesthetic experience from the aspects of subject matter, image and color. By introducing the aesthetic thought of aesthetic experience, it is based on the theory of intuition, distance and empathy, and the understanding of aesthetic experience by later generations. Starting with the aesthetic experience of the subject matter content, the dynamic aesthetic experience of the image, the aesthetic experience of the color language, and then combined with the female image in the national art exhibition for analysis and interpretation, through examining the performance of the female image in different periods and different cultures, we can have a deeper understanding of the concept and development level of the society.