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题名:

 试论具象油画创作中的主动造型意识    

作者:

 杨波    

学号:

 2009026    

语种:

 chi    

专业:

 美术学    

公开时间:

 公开    

培养层次:

 硕士    

学位:

 文学硕士    

培养单位:

 广州美术学院    

院系:

 油画系    

专业:

 美术学    

导师姓名:

 区础坚    

导师单位:

 广州美术学院    

答辩日期:

 2012-04-06    

题目(外文):

 On the figurative oil painting in the active form of consciousness    

关键字(中文):

 具象油画 ; 主动造型 ; 造型意识    

关键字(外文):

 figurative paintings ; active modeling ; modeling consciousness    

文摘:

本文立足于造型方面新的认知,通过分析艺术创作中造型意识的形态以及思维方式,从而更加全面客观地认识“主动造型”, 并从具象油画的角度来分析主动造型意识的创作观念。

在研究方法上,基于本文的研究对象是具象油画创作,因此运用了查阅文献、论证分析的方法来研究主动造型意识的特征及其理论基础,并结合图像的方法,通过对几位比较特殊的艺术大师作品的分析来探讨艺术家在创作过程中的心理动机,以揭示主动造型意识在具象油画创作中的现实意义。

全文共分为五个部分:

导言部分提出写作此论文的目的和研究方法。

第一章着重讨论主动造型意识的几个基本概念。

第二章通过对美术史上几位艺术大师的绘画语言、艺术风格以及代表作品的解读,阐述主动造型作为一种创作手法在具象油画创作中的重要性。

第三章旨在论述主动造型意识的规律和启示,对我们当下进行具象油画创作具有很广泛的现实意义。

最后是结论,统观全文,对主动造型的特点和本质进行归纳总结,其目的在于探讨主动造型意识作为艺术创作的创作方法,其重要作用值得艺术家重视。

文摘(外文):

In this paper, based on the aspects of modeling new awareness, through the analysis of artistic creation shape consciousness form and way of thinking, which is more comprehensive and objective knowledge of" active shape", and from the figurative oil painting perspective to analyze the active shape consciousness creation concept.

In research methods, based on the research object of this paper is the embodiment of the creation of oil painting, and the use of a literature review, demonstration analysis method to study the active shape consciousness characteristics and theoretical foundation, and combining the method of image, based on several special art master works analysis to study the artists in the creative process of psychological motivation in order to reveal the shape consciousness, active in figurative oil painting in the realistic significance.

The full text is divided into five parts:

The introduction presents the writing purpose and the research methods.

The first chapter discusses several basic concepts of active shape consciousness.

Chapter second the history of art a few master the art of painting language, artistic style and representative works, the active molding as a creation in the figurative oil painting in the importance of.

The third chapter discusses the active shape consciousness rule and enlightenment, to our contemporary figurative oil painting has a widespread practical significance.

Finally is the conclusion, view the full text, on active shape characteristic and essence are summarized, its purpose is to explore the active shape consciousness as artistic creation method, its important role in attention worthy artist.

分类号:

 J    

公开日期:

 2060-11-01    

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