经过百年的发展，艺术的表现形式发生了各种各样的变化，在瞬息万变的年 代，试图探讨当代艺术在此其中的变化虽困难，但是运用基特勒的媒介理论，可 以在其中找到一些线索。埃尔基·胡基莫虽然提出了媒介考古学的理论，但他同 时也指出这尚未形成一门学科。尽管如此媒介考古早已成为了很多学者的讨论对 象。本文虽以媒介考古为路径，但不过多探讨媒介的理论，主要探讨当代艺术实 践例子，从多位艺术家的作品分析出发，讨论其中的艺术方法论与意义。从马塞 尔·杜尚使用实验媒介宣布其先锋理论后，当代艺术便开启了与媒介的纠缠史。 本文旨在通过个人艺术项目实践剖析其中的艺术语言，视觉文化表现，以及意义。 媒介考古学的研究者反复强调过去能够蕴含当下的线索，某些作品甚至带有语言 与现实的复现性。

After a hundred years of development, various changes have taken place in the form of expression of art. In the era of rapid change, it is difficult to try to explore the changes of contemporary art in this field, but we can find some clues in it by using Kitler's media theory. Although Erkki Hutamo put forward the theory of media archaeology, he also pointed out that this has not yet formed a discipline. Nevertheless, media archaeology has already become the subject of discussion for many scholars. Although this article takes media archaeology as the path, it does not discuss the theory of media, mainly discusses the examples of contemporary art practice, and discusses the art methodology and significance from the analysis of the works of many artists. Since Marcel Duchamp used experimental media to announce his avant-garde theory, contemporary art has started the history of entanglement with media.