杰罗姆是十九世纪法国学院派的代表画家，他受传统学院教育的培养。杰罗姆在法国现代主义萌芽时期崛起成为一股力量，获得了保守派持不同政见者的名声。纵观杰罗姆的绘画，无论是在地域上、绘画内容上、还是时期上，都呈现出丰富性。本文利用图像学和文献资料等研究方法，以杰罗姆的绘画为立足点，从画面结构、叙事手法、颜色布局、题材选择出发，探讨杰罗姆油画中的场景与油画关系。同时结合自身的创作实践，分析对自己创作的指导意义。杰罗姆的绘画作品涉及多种题材。作品中的场景图像，尤其是风俗画中对东方异域的构建，无论是构图还是表现手法都极具个人风格。其艺术风格对本人的创作具有借鉴意义。

Gerome is a representative painter of the French Academy in the 19th century. He was trained by traditional academy education. Gerome emerged as a force in the early days of French modernism, gaining a reputation as a conservative dissident. Throughout Gerome's paintings, no matter in the region, painting content, or the period, there are rich. Based on the research methods of iconography and literature, this paper explores the relationship between Gerome's scene images and oil paintings from the perspectives of picture structure, narrative technique, color layout and subject selection. At the same time, combined with their own creative practice, analysis of their own creative guidance. Gerome painted on a variety of subjects. The scene images in the works, especially the construction of the eastern exotic land in the genre paintings, are highly personal in composition and expression techniques. Its artistic style has reference significance to my creation.