“游戏”自古以来就是艺术表现的重要话题和形式。在康德和席勒等众多哲学家眼 里，“游戏”被看作是生命活动中的一部分。游戏相对于劳作，消解了功利性，更注重 过程和趣味性。在孔子和庄子等众多思想家眼里:“游”是身心的一种自由的生命活动， “戏”是具有趣味性的娱乐过程，这些游戏说都一定程度体现了游戏精神。 游戏作为一种创作逻辑包含游戏精神，以往的论文较少有把游戏精神和创作逻辑的 内在联系进行分析和描述。据此，本文试图以艺术家威利·威基勒、莫里吉奥·卡特兰 和佩勒·卡斯为例分析艺术家的游戏精神，以及系统地梳理游戏作为一种创作逻辑的具 体构建方法。 将游戏作为一种创作逻辑可以使艺术创作者们通过展开自由的生命活动，立足当下 感受生活，回归生命的本真。这种创作态度和方法既能将艺术创作者的个体感受力最大 化又能与社会产生新的联系，探索当代艺术创作的上限、打破原有的规则。将游戏作为 一种创作逻辑推动创作的案例中卡特兰无疑是成功的范例。有了前人的向导，社会对艺 术创作的包容度更加具有弹性，这也意味着艺术创作拥有了更多可能。在水彩艺术创作 中，艺术创作者可以以游戏人间的态度指导创作，实现观念的深入挖掘和表现形式的多 样化。艺术创作的思维也应该发展得更加多维，将艺术立足于时代，建立艺术与时代的 新联系。

"Game" has been an important topic and form of artistic expression since ancient times. In the eyes of many philosophers, such as Kant and Schiller, "game" is regarded as a part of life activities, and the game, compared with labor, dissolves the utilitarianism, and pays more attention to the process and fun. In the eyes of many thinkers, such as Confucius and Zhuangzi, "play" is a free life activity of body and mind, and "play" is a fun entertainment process, which reflect the spirit of play to a certain extent. As a kind of creative logic, game contains the spirit of game, but previous papers seldom analyze and describe the intrinsic connection between the spirit of game and the logic of creation. Accordingly, this paper attempts to analyze the playfulness of artists such as Willy Wickler, Maurizio Cattelan and Pelle Cass, as well as to systematically sort out the specific construction method of play as a creative logic. Using games as a kind of creative logic enables art creators to feel life in the present and return to the true nature of life through the development of free life activities. This kind of creative attitude and method can not only maximize the individual sensibility of art creators, but also create new connections with society, explore the upper limit of contemporary art creation, and break the original rules. Cartland is undoubtedly a successful example of the use of play as a creative logic to promote creativity. With the previous guide, the society is more flexible to the tolerance of art creation, which also means that art creation has more possibilities. In the creation of watercolor art, art creators can guide their creation with the attitude of interplaying people to realize the deep excavation of concepts and diversification of expressions. The thinking of art creation should also be developed to be more multi-dimensional, to base art on the times and to establish a new connection between art and the times.