本文着重于探究超现实主义的绘画语言，探索不同超现实主义艺术家的作品中如何对景观进行解构，并将解构的创作手法应用于本人的艺术创作中。 首先笔者在本文中阐述了解构的概念，“解构”意味着拆解与重构，作为一种重要的创作手法在超现实主义绘画领域的艺术家广泛使用，艺术家们将现实世界进行分解通过联想依照自己的个人趣味将元素进行重组，从而在画面中塑造一个合成的世界，带来了独特的艺术美学价值。同时在该章节对超现实主义催生原因包括社会背景、理论依据等进行了阐述。 笔者进一步赏析了几位超现实主义绘画大师的绘画作品，他们分别是乔治·德·基里科，勒内·玛格丽特和艾琳·阿格尔，将他们的个别作品进行对比分析，剖析他们的绘画语言。乔治·德·基里科构建了令人不安的孤寂景观，勒内玛格丽特在作品中塑造了交叠复杂的空间，看似平常的画面实则隐藏着反常。艾琳阿格尔热衷于图形符号的趣味组合，色彩大胆梦幻，作品呈现出不一般的风貌。 超现实主义独特的绘画语言对我的创作有所启发，笔者在本人的水彩画作品中进行了创作实践。笔者在文中提及了本人的毕业创作，讲述了本人结合本人专业如何创作出自己风格的幻想园林和城市景观，并详细地讲述了创作构思和创作过程。

This article focuses on the pictorial language of Surrealism, exploring how landscapes are deconstructed in the works of different artists. First, the concept of deconstruction is explained in the first chapter. "Deconstruction" means dismantling and reconstruction. As an important expression method, it is widely used by surrealist artists. Artists decompose the real world through association according to their own Personal tastes and then recombine the elements to shape a synthetic world in the picture. It does bring unique artistic aesthetic value. At the same time, this chapter expounds the reasons for the emergence of Surrealism, including social background and theoretical basis. Then, the author focuses on analyzing the individual works of several surrealist painting masters, Giorgio de Chirico, Rene Magritte and Eileen Agar, and analyzes their painting language. Giorgio de Chirico constructs disturbing landscapes of loneliness, while Rene Magritte creates overlapping spaces in which seemingly everyday images hide anomalies. Eileen Agar is keen on the interesting combination of graphic symbols, and the colors are dreamy. The surrealist painting language has inspired my creation and has been practiced in my watercolor painting creation. Finally, the author mentioned my graduation creation, and described the specific creation concept and creation process.