本文基于抽象化绘画，分析、探索、总结绘画三大元素——几何、肌理、色彩因归属感的变化而产生的视觉效果及相关问题。 对抽象化绘画，不同的画家的眼里有着不同的解释，观者或许能欣赏抽象的美感，却不知这美感的原因是为何，即便有名家的解释，但从创作者的角度来分析这一原因是少有的，而为何要进行抽象化或抽象绘画创作，更是少有人来解释。本文通过对抽象化绘画画家以及理论家对于画面的分析，从归属感的角度说明抽象化绘画对画面以及我们思考方式的影响。并从个人从创作的角度分析抽象化绘画当中，几何、肌理、色彩元素的变化，同时参考不同风格的抽象化与抽象绘画，来研究在创作的难点。本人认为：摆脱固化的写实束缚后，绘画的三大造型元素会更加显眼。也只有进行这样的训练，才能更好地把握审美规律。 本文实录了本人一幅画的创作经历，从自然美的模仿，到主观提炼，分析各种可以运用的抽象化元素与方法，同时也记录了归属感由确切到模糊，从真实、写实到抽象化绘画的变化过程。

Based on abstract painting, this paper analyzes, explores and summarizes the visual effects and related problems of the three elements of painting - geometry, texture and color due to the change of sense of belonging. For abstract painting, different painters have different explanations in their eyes. Viewers may appreciate the abstract beauty, but they don't know why. Even if there is a famous explanation, it is rare to analyze this reason from the perspective of the creator, and why to create abstract painting or abstract painting is rarely explained. Through the analysis of abstract painting painters and theorists on the picture, this paper explains the influence of abstract painting on the picture and our way of thinking from the perspective of sense of belonging. It also analyzes the changes of geometry, texture and color elements in abstract painting from the perspective of personal creation, and refers to different styles of abstract and abstract painting to study the difficulties in creation. I think: after getting rid of the bondage of solidified realism, the three modeling elements of painting will be more prominent. Only through such training can we better grasp the aesthetic law. This paper records the creation experience of one of my paintings, from the imitation of natural beauty to subjective refinement, analyzes various abstract elements and methods that can be used, and also records the change process of the sense of belonging from accuracy to fuzziness, from reality, realism to abstract painting. Key Words：Abstraction; Sense of belonging; Three modeling elements