戏曲对大多数年轻人来说是陌生的，没有见识过它的风采，也就不在意它的 消亡。笔者作为潮汕文化的受益者，深知要改善如今戏曲文化受众断层的现状， 增加戏曲文化与大众的交流接触成为必然。文章以地方戏曲潮剧作为个案研究， 旨在探讨具身认知理论下潮剧文化在社区公共空间中的营造策略与原则，思考地 方戏曲文化空间创新转型的可能性，以期建立大众对潮剧文化的了解与认知，改 善潮剧受众流失问题，同时为潮剧文化的生存发展开辟一条新路径。 第一部分通过对研究背景进行梳理，提出“如何加强大众与戏曲文化的粘性”、 “如何加强大众对戏曲文化的认知”、“如何有效推动戏曲文化发展拓圈”三大 问题。第二部分基于具身认知理论的相关研究梳理，归纳该理论视角下身体与空 间的关联性及影响要素，并展开潮剧文化属性解构，梳理环境、身体、文化三者 之间的相互关系与相互作用规律，总结潮剧文化介入城市社区空间的设计框架。 第三部分首先对深圳福田村展开整体调研，以调研结果为由择福田村岗边坊为基 址。通过田野调查分析总结坊内空间现状与问题，运用空间句法结合现场摸排综 合得出坊内较为适合及可被改造优化的部分，并对当地人口进行问卷调查及抽样 访谈，以上内容将作为潮剧文化介入社区空间的现实依据。第四部分以岗边坊为 载体，提出“剧居”一体的文化社区发展模式，以“全面”、“全域”、“全时” 为发展目标，形成1“融合空间体系”、“营造文化场景”、“延伸空间功能” 的空间设计策略，2线上线下相结合的社区运营模式，3“日常”与“非日常” 的长效性发展机制。通过整合规划坊内街巷、建筑、屋顶三类空间，构建身体与 潮剧文化相互作用的空间场域，建立城市社区中居民与潮剧文化之间的粘性，力 求推动传统文化的教化功能来补充大众的潮剧文化认知，以期促进潮剧文化生存 发展与文化拓圈。 最后，笔者对本文的研究和实践进行总结——具身认知与潮剧文化空间的结 合，为研究戏曲文化及其他艺术实践与受众身体之间的互动关系提供了崭新的思 考角度。

Opera is unfamiliar to most young people who have not seen it and do not care about its demise. As a beneficiary of Teochew culture, the author is well aware that in order to improve the status quo of audience disconnection of today's opera culture, it has become inevitable to increase the communication contact between opera culture and the public. Taking local opera Teochew as a case study, the article aims to explore the strategies and principles of creating Teochew opera culture in community public space under the theory of embodied cognition, and to consider the possibility of the innovative transformation of local opera culture space, with a view to building up the public's understanding and cognition of Teochew opera culture, improving the problem of the loss of Teochew opera's audience, and at the same time, opening up a new path for Teochew opera culture's survival and development. In the first part, the research background is sorted out, and three major questions are raised: "How to strengthen the adhesion between the public and the opera culture", "How to strengthen the public's cognition of the opera culture", "How to effectively promote the development of the opera culture to expand the circle? "The second part is based on the theory of embodied cognition. The second part is based on the compilation of relevant studies on the theory of embodied cognition, summarizing the correlation between the body and the space and the influencing elements under the perspective of the theory, and launching the deconstruction of the cultural attributes of Teochew Opera, sorting out the interrelationships and interaction laws between the environment, the body, and the culture, and summarizing the design framework of the Teochew Opera culture intervening in the urban community space. In the third part, the overall research of Futian Village in Shenzhen is carried out firstly, and based on the research results, the Gangbian Square in Futian Village is chosen as the base site. Through the field survey, we analyze and summarize the current situation and problems of the space in the workshop, use the spatial syntax method combined with on-site mapping to comprehensively find out the parts of the workshop that are more suitable and can be transformed and optimized, and conduct a questionnaire survey and sample interviews with the local population, and the above contents will be the basis for the reality of the intervention of Chaozhou Opera culture in the community space. The fourth part takes Gangbianfang as a carrier, proposes the community sharing mode of "theater and residence", and establishes the adhesion between the residents and the Chaozhou opera culture in the urban community; and summarizes the "spatial integration system" by combining the conditions of the base site and the design framework, The three design strategies of "space integration system", "creating cultural scenes" and "optimizing spatial functions" are summarized in the light of the site conditions and design framework, and the three types of spaces, namely, streets, alleys, buildings and rooftops, are integrated in the planning of the Square, in order to build a spatial field for interaction between the body and the Chaozhou Opera culture, and strive to promote the function of indoctrination of traditional culture and establish the awareness of the Chaozhou Opera culture among the public. It aims to promote the educative function of traditional culture and build up the public's awareness of Chaozhou opera culture; with the development goals of "comprehensive", "all-time", and "all-people", it forms a "daily" and "non-daily" space. With "comprehensive", "all-time" and "all-people" as the development goal, it forms a long-term development mechanism of "everyday" and "non-everyday", so as to promote the survival and development of Teochew Opera culture and to expand the circle of culture. Finally, the author summarizes the research and practice of this paper: the combination of embodied cognition and the cultural space of Teochew Opera provides a new perspective for the study of the interaction between opera culture and other artistic practices and the audience's body.