在现如今互联网短视频等诸多新媒体的兴起与冲击之下，漫画的地位和影响 力日 渐式微。漫画需要重新审视自身的媒介特性和魅力所在，才能保持生命力和 活力。而漫 画分镜则是漫画艺术离不开的一个话题。 本文将从“漫画分镜的运动与时间”切入，研究并分析漫画分镜究竟是如何 表达运动 和时间的。漫画作为由静态图像构成的艺术形式，为何能表现如此生动 又丰富的运动? 这将从人们对运动的观念说起，在电影发明之前表现运动的方法 是各种能代表运动的 经典动作的定格。而在之后表现运动的方法则变成由很多个 瞬间来构成的连续动作。 而漫画分镜能自如地表现两种运动的模式。因为它既能 用各种漫画符号在单张图像中 表现出丰富生动的运动，也能用多个瞬间图像并置 在一起时，展现出电影般的运动效 果;当在阅读漫画中的文字时，脑海中会想起 相应的声音——声音之中就包含着运动 和时间;而通过对漫画画格的大小分割也 将会影响漫画的时间和节奏。 在分析漫画本身媒介特质的同时，也讨论是否存在有新的图文呈现的方法能 打破 原有的阅读惯性。最后将论文中的论点和自身实践相结合进行论证。希望该 论文能通 过对漫画分镜艺术的研究发现漫画独到的表达魅力，最后应用到个人的 实践创作当中。 也希望认知到漫画分镜的原理后，能对漫画自身变革起到指导作 用，并能拓展到其他更 多元的领域，发挥漫画的生命力与活力。

Under the rise and impact of many new media such as Internet short video, the status and influence of comics are gradually declining. Comics need to re-examine their own media characteristics and charm in order to maintain vitality and vitality. The comic book storyboard is an inseparable topic of comic book art. This paper will start from "the time and motion of comic storyboards", and study and analyze how comic storyboards express motion and time. How can comics, as an art form composed of still images, represent such vivid and rich movement? This will start with people's concept of movement, before the invention of motion pictures, the way to represent movement is to represent the classic movements of the freeze frame. Later, the method of expressing movement became a continuous movement consisting of many moments. And the comic storyboard can easily represent both modes of motion. Because it can not only show rich and vivid movement in a single image with various cartoon symbols, but also show movie-like movement effect when multiple instant images are juxtaposed together. When you read the words in the cartoon, you will think of the corresponding sounds in your mind - the sounds contain movement and time; Through the size of the cartoon grid segmentation will affect the time and rhythm of the cartoon. At the sametime of analyzing the medium characteristics of cartoon itself, it also discusses whether there are new ways of graphic presentation that can break the original reading inertia. Finally, the thesis and their own practice combined to demonstrate. It is hoped that this paper can find the unique expression charm of cartoon through the study of comic storyboard art, and finally apply it to personal practical creation. It is also hoped that after recognizing the principle of comic storyboard, it can play a guiding role in the reform of comics themselves, and expand to other more diverse fields, and give play to the vitality and vitality of comics.