文字在时代的发展过程中吸收了各种文化和意义，其功能已不仅仅是满足阅读与信息传播的需求，文字本身也成为了一种视觉符号。作为汉文化和精神的载体，传承汉字之美、弘扬文化自信是中国设计发展的必由之路，结合当下汉字的发展趋势赋予其新的审美价值和表现方法，也是中国设计发展未来方向。数字化时代的到来让字体设计以一种全新动态化方式出现在大众的视野中，载体的变化使动态字体在各屏显媒体中扮演着越来越重要的角色。“六书”构字法与动态字体的结合是对传统理论的继承和延续，虽然隶变后的汉字对于六书以不能完全适用，但是现代汉字中形声字数量仍占比超过80%，因此形声作为最重要的构字法，与当代汉字动态设计结合具有重要的意义与价值。 本文首先从汉字载体和书写工具发展的角度概述了汉字动态化的发展历史并分析了其产生原因，以进一步明确“六书”构字法理论在现代设计中的重要性。而后通过梳理动态字体的历史，总结了从西文到汉字的动态字体实验过程，并在此基础上归纳出动态字体的基本要素和构字法规律。在本文主体部分，深入讨论了汉字动态字体设计与六书理论的关系，并以形声构字法为重点，采取理论与案例结合的模式分析了两者结合的可能，并在此基础上搭建了基于形声构字法的汉字动态字体设计理论模型，对其特点和构成方式进行了分析。最终通过汉字美育的设计实践进行检验，由动态汉字之“形美”、“音美”共同传达汉字的“意美”。 本研究在延续中国传统汉字构成逻辑和模式的同时，总结基于形声构字法理论的汉字动态字体设计概念与方法，并由此证实了汉字动态字体设计在当今的重要性和传统理论对当下设计发展的贡献，对于新时代背景下的传统汉字起到了承上启下的作用。基于六书理论中形声构字法的动态字体设计研究有效的提升了语义传播和情感交流过程中的体验，探索了新媒介下汉字传播的可能性。

In the process of development, text has absorbed various cultures and meanings, and its function is no longer limited to reading and information dissemination, but has also become a visual symbol. As a carrier of Chinese civilization and national spirit, inheriting the beauty of Chinese characters and promoting cultural confidence is the necessary path for the development of Chinese design. Combining with the characteristics of the times, giving Chinese characters new aesthetic value and expression methods is also the future direction of Chinese design development. The arrival of the digital age has made font design appear in a completely new dynamic way in the public's view, and the change of carrier has made dynamic fonts play an increasingly important role in various screens and media. The combination of the “Six Categories” character construction method and dynamic fonts is the inheritance and continuation of traditional theory. At the same time, because the number and proportion of phono-semantic characters in modern Chinese characters are the highest, research on phono-semantic character construction is also a further exploration of the dynamic development of contemporary Chinese characters. This article first outlines the development history of dynamic Chinese characters from the perspective of the development of Chinese character carriers and writing tools, and analyzes the reasons for their emergence, clarifying the importance of the “Six Categories” character construction method theory in modern design. Then, combined with the history of dynamic fonts, it summarizes the dynamic experimental process from Western languages to Chinese characters, and based on this, summarizes the basic elements and character construction methods of dynamic fonts. In the main part of this article, the relationship between dynamic Chinese character design and the “Six Categories” theory is discussed in depth. With phono-semantic character construction as the focus, the theoretical and case analysis mode is adopted to analyze the possibility of their combination. Based on this, a theoretical model of dynamic Chinese character design based on phono-semantic character construction is established, and its characteristics and composition are analyzed. Finally, through the design practice of Chinese character aesthetics, the “form beauty” and “sound beauty” of dynamic Chinese characters together constitute the “meaning beauty” of Chinese characters. This study not only continues the logical and patterned composition of traditional Chinese characters but also summarizes the concept and method of dynamic Chinese character design based on phono-semantic character construction theory. It confirms the importance of dynamic Chinese character design and the contribution of traditional theory to design development in the current era, and plays a role in carrying forward traditional Chinese characters in the new era. The research on dynamic font design based on the phono-semantic character construction method in the “Six Categories” theory effectively enhances the experience in the process of semantic communication and emotional exchange, making the dissemination of Chinese characters achieve a perfect combination of form and content.