近年来，古代壁画在我国及世界多个博物馆、美术馆展出，其展览也从简单 介绍性陈列到临摹洞窟的三维立体展馆性展示，从现场“人机互动”到数字化线 上展览等利用先进科学技术的多样展览模式。笔者于 2022 年 3 月至 6 月参与了 广东省博物馆举办的“丝路光华——粤陇文物精品展”的前期筹备工作，并在展览期间负责古代壁画《九色鹿》的现场临摹绘制。这是广东省内的博物馆首次采 用向公众开放临摹绘制过程的展览模式，这一新颖的展示形式不仅加深了观众对古代壁画艺术的认识，还为如何向公众传播和推广中国传统文化提供了一个新思路。展览期间，笔者不仅在现场展示了临摹过程及回答观众的各种问题，还设计了一份《关于观众对广东省博物馆丝路壁画九色鹿临摹动态展示的调查问卷》， 该问卷的数据代表了观众在现场对展览最真实和最直接的感受。通过参与该次展览，笔者对古代壁画的临摹展示方式和在公共教育的推广等问题进行了深入思考 和研究。 本论文亦探讨博物馆在当今社会中的多重角色，特别强调其重要的教育功能。 随着文化服务的不断演变，博物馆已经超越了传统的收藏、展示和研究功能，成为公共文化服务的重要提供者之一。2017 年实施的《中华人民共和国公共文化 服务保障法》明确了博物馆在满足公众文化需求方面的角色，将其视为政府主导、 社会力量参与的公共文化服务设施。 本论文强调了传统文化的重要性，指出其能够促进公众的审美意识、文化自信心以及对传统艺术的热爱与传承。传统文化的推广需要多样化、直接化和更加有效的方式，以满足现代社会的文化需求。同时，艺术的发展和公众的审美水平提升需要专业人士的引领，这也是社会主义精神文明建设的重要组成部分。

In recent years, ancient murals have been exhibited in numerous museums and art galleries in China and around the world. These exhibitions have evolved from simple introductory displays to three-dimensional, immersive exhibits featuring cave imitations. They have also incorporated advanced scientific and technological elements, including on-site human-computer interactions and digital online exhibitions. The author of this paper participated in the preliminary preparations for the "Splendors of the Silk Road" exhibition at the Guangdong Provincial Museum from March to June 2022. During the exhibition, the author was responsible for on-site imitation and drawing of the ancient mural "Nine-Colored Deer." This marked the first time a museum in Guangdong Province adopted an open exhibition model that allowed the public to witness the process of mural imitation. This innovative display not only deepened the audience's understanding of ancient mural art but also provided a new approach to how to promote and convey Chinese traditional culture to the public. During the exhibition, the author not only demonstrated the process of mural imitation on-site and answered various questions from the audience but also designed a survey questionnaire about the dynamic display of the imitation of the "Nine-Colored Deer" mural at the Guangdong Provincial Museum. The data from this questionnaire represented the most genuine and direct reactions from the audience. Through participation in this exhibition, the author conducted in-depth reflection and research on issues such as the imitation display method of ancient murals and the promotion of public education. This paper also explores the multiple roles of museums in today's society, with a particular emphasis on their significant educational function. As cultural services continue to evolve, museums have transcended their traditional roles of collecting, displaying, and researching, becoming essential providers of public cultural services. The "Public Cultural Services Guarantee Law of the People's Republic of China," implemented in 2017, explicitly defines the role of museums in meeting public cultural needs as government-led facilities with participation from social forces. The paper emphasizes the importance of traditional culture, highlighting its ability to enhance public aesthetic awareness, cultural confidence, and the love and inheritance of traditional art. The promotion of traditional culture requires diverse, direct, and more effective methods to meet the cultural needs of modern society. Additionally, the development of art and the elevation of public aesthetic levels require the guidance of professionals, which is also an important component of the construction of social spiritual civilization.