黄牧甫在旅粤时期，曾长居欧阳耘家中，两人在金石交往上关系密切，但学界对这 一现象尚未广泛关注。本文着力对黄牧甫、欧阳耘的交游情况、艺事交往以及交游时间 进行梳理，并汇集整理出黄牧甫为欧阳耘所刻印章，通过对比分析两人交往期间的黄氏 篆刻风格变化，发现黄牧甫在进入篆刻创新期之后，已经非常熟练地运用“合以古籀” 的构字法进行篆刻创作，并在多次刻制的印文中也能够窥探黄牧甫创作观念的变化，欧 阳耘追古摹古的艺术理念在一定程度上影响了黄牧甫的篆刻风格。欧阳耘常常嘱托黄牧 甫治印，有时还会对印章内容、风格等有所要求，这段时间的交往对黄牧甫的艺术理念 产生了影响。 本文分为三个部分进行论述，一是分析黄牧甫与欧阳耘的交游情况，增补欧阳耘的 生平事略，论述两人交游期间的艺事交往情况;二是整理统计黄牧甫为欧阳耘所刻印章 约 122 方，探析黄牧甫创新时期的篆刻风格变化与仿刻印文的创作观念变化，并把黄氏 篆刻风格分为缪篆方白文、拟先秦玺印、缪篆方朱文这三类进行讨论分析;三是对经典 作品进行分析，欧阳耘“拾级而登，不懈而及于古矣”的艺术追求以及吉金碑版文字入 印的要求，对黄牧甫的篆刻风格产生了影响。笔者将黄牧甫为欧阳耘所刻印章进行了分 类整理汇集并附录于后，不仅可以看出两人在金石上的密切交往，也可以作为黄牧甫旅 粤期间篆刻风格转变的佐证材料。

Huang Mufu, during his travels in Guangdong, stayed at Ouyang City's home, and the two had a close relationship with each other in terms of goldsmithing, a phenomenon that has yet to receive widespread attention in the scholarly community. This paper focuses on Huang Mufu's and Ouyang City's travels, artistic interactions, and the time of their travels, and compiles and organizes the seals Huang Mufu carved for Ouyang City. Through comparative analysis of the changes in Huang's seal carving styles during the period of their interactions, we find that Huang Mufu, after entering the period of innovation in seal carving, had already become very skillful at the use of the 'seal carving method that combines the ancient prehistoric script' to create seal carvings. After entering the innovative period of seal carving, Huang Mufu was found to be very skillful in utilizing the "combining the ancient seal script with the pre-Han" method of seal carving, and in the many engraved seals, Huang Mufu's change of creative concepts can also be detected, and Ouyang City's artistic concept of pursuing the ancient and copying the ancient influenced Huang Mufu's seal carving style to a certain extent. Ouyang City often asked Huang Mufu to treat seals, and sometimes he also requested the content and style of seals, which influenced Huang Mufu's artistic concepts during this period of interaction. This paper is divided into three parts, one is to analyze Huang Mufu's friendship with Ouyang City, add the biographical sketch of Ouyang City, and discuss the artistic interactions between the two men during the period of their friendship; the second is to collate the statistics of one hundred and twenty-two seals engraved by Huang Mufu for Ouyang City, to analyze the changes in seal-carving style during Huang Mufu's innovation period and the changes in the concepts of the creative concepts of imitation seal-engraving, and to classify Huang's seal-carving style into the Mu seal-carving style of the white text, imitation of the pre-Qin seal, Mu seal-carving style of the white text, imitation of the pre-Qin seal, and the seal-carving style of the white text. The third is to analyze the classic works, Ouyang city "pick up the steps and ascend, unremittingly and in the ancient" artistic pursuit and the Jijin tablet text into the seal requirements, Huang Mu Fu's seal carving has had an impact. The author will Huang Mu Fu for Ouyang City seal engraving for the classification and organization of the collection and appendix, not only can be seen in the close interaction between the two in the gold and stone, but also can be used as Huang Mu Fu travel Guangdong during the seal carving style change of supporting materials.