本文基于各时代背景下的丰富木刻作品，运用图像论述研究的方法对大量事例和作品进行对比、赏析等多个角度的剖析研究工作。研究目的在于把握不同时期木刻作品形式感的形成和发展过程，梳理艺术家和个人的创作研究历程，学以致用，灵活运用在创作的各个环节中，形成个人艺术语言，积累可持续发展、有时代特征和生命力的艺术作品。 形式感的形成与时代变迁、社会审美价值的变动、艺术家个人经历息息相关，不同的时代孕育出不同的形式感，从不同的时代作品中总结出形式语言。 本文主要分为四个章节，第一章对中国古代木版画进行分析，从书版插图中探究中国古代木刻的形式特点；第二章从解放前期木版画入手，从新兴木刻中思考形式语言，从国统区、解放区木刻作品中研究木刻形式的变化；第三章论述新中国时期木刻地域流派以及时代给予木刻的影响，并举例直观论述。通过分析探究，得出木刻形式感和时代性息息相关，时代给予它很多影响；最后一章，列举艺术家作品形式感的个案分析、本人探索形式感的过程以及对木刻版画的学习研究与反思。 通过对以上内容的梳理和总结，形成本人对“形式感”的理解，不断为今后的作品创作注入新鲜血液。

This paper uses the method of image discussion and research to compare and appreciate a large number of cases and works of analysis and research from multiple perspectives, based on the rich woodcut works under the background of various eras. The purpose of the research is to grasp the formation and development process of the sense of form of woodcut works in different periods, sort out the creative research process of artists and individuals, apply what they have learned, and apply them flexibly in all aspects of creation, form a personal artistic language, and accumulate works of art with character and vitality, which can develop sustainably. The formation of the sense of form is closely related to the changes of the times, the changes of social aesthetic value, and the personal experience of the artists. Different times give birth to different senses of form, and the formal language is summed up from the works of different times. This paper is mainly divided into four chapters. The first chapter analyzes ancient Chinese woodcuts, and explores the formal characteristics of ancient Chinese woodcuts from the book illustrations; The second chapter talks about the changes of woodcut form from the woodcut works in the Kuomintang and liberated areas, and finds the woodcut form language from the New Woodcut; The third chapter discusses the regional genre of woodcut in the New China period and the influence of the times on woodcut, and gives an intuitive discussion with examples. Through analysis and exploration, it is concluded that the sense of form of woodcut is closely related to the times, and the times have given it a lot of influence; the last chapter lists the case analysis of the sense of form in the artist's works, the construction and breakthrough process of my exploration of the sense of form, and my own experience in woodcut printmaking, summarizes my learning reflections. By sorting out and summarizing the above content, I have formed my own understanding of the "sense of form", and will continue to inject fresh blood into the creation of future works.