题名: | 童 趣——论保罗.克利绘画创作中的“童趣意象” |
作者: | |
学号: | 2009014 |
语种: | chi |
专业: | |
公开时间: | 公开 |
培养层次: | 硕士 |
学位: | |
培养单位: | 广州美术学院 |
院系: | |
专业: | |
导师姓名: | |
导师单位: | 广州美术学院 |
第二导师姓名: | |
第二导师单位: | 广州美术学院 |
答辩日期: | 2012-01-01 |
题目(外文): | naivety——"naivety imagery" in the painting creation of Paul Klee |
关键字(中文): | |
关键字(外文): | |
文摘: |
19世纪中期前后,艺术才从某些为社会服务的义务中解脱出来。此时,工业革命的爆发使人们的生活发生了本质的变化,而科学技术给人类带来极大物质财富的同时,也使人们失去了精神上的支柱。在艺术领域,随着社会环境的改变,艺术家们隐约感觉到对对象的形象描绘本身是一种束缚、一种负担,绘画的目的不再是机械的模仿自然,必须突破它的限制解放艺术家自己,解放绘画,寻找新的出路。回归人性的纯朴与最真挚的内心情感,就是现代艺术家所追求的。他们试图找回原始的艺术本源,试图仿照儿童艺术的语言形式来直接地表达情感,于是乎,具有“童趣”特征的艺术作品成为20世纪的新局面之一。 儿童艺术虽然只是整个绘画艺术领域中的个别或特殊艺术形式,它以独特的语言形式执着于自身情感最直接的表达和宣泄,对绘画艺术产生了巨大影响。很多现代艺术家都感受到了儿童艺术的魅力,保罗·克利的作品是最为丰富,最值得探讨的,因此,克利的儿童崇拜是我想探析的。 |
文摘(外文): |
Around the mid of nineteenth century, art just extricate itself from some community service obligation. The outbreak of the industrial revolution to make people’lives has been a qualitative change.Science has brought great material wealth, people in the spiritual world has lost its emotional pillar. In the field of art, with the development of social environment, the artists feel that image description of the object is a bondage and a burden, the purpose of painting is no longer a mechanical imitation of nature. Artists think that they have to break throw the constraint to achieve liberation of the painting and a new way about art. Return to the simple human nature and the most genuine emotion are the seek of modern artists. They trying to get back the origin of art, they use language in some children’s drawings to express the emotions. Then, full of “naivety”of the paintings become a new situation in 20th century. Children’s art is just a kind of art form or distinctive art form with modern art. Owing to unique artistic form, it had made a great impact on modern art. Many artists had felt children’s artistic charm. Paul Klee's works is the most abundant and the most worthy of study, therefore, the children’s worship is what I want to study. |
分类号: | J |
公开日期: | 2060-11-01 |