题名: | 香港人间画会考论 |
作者: | |
学号: | 2005053 |
语种: | chi |
公开时间: | 公开 |
学位: | |
培养单位: | 广州美术学院 |
院系: | |
专业: | |
导师姓名: | |
导师单位: | 广州美术学院 |
答辩日期: | 2008-04-17 |
题目(外文): | 无 |
关键字(中文): | |
关键字(外文): | |
文摘: |
中国近代美术史的发展与20世纪的中国革命休戚相关,尤以版画和漫画为最。人间画会是上世纪四十年代中后期活跃于香港的一个左翼美术团体,其成员主要由内地国统区的版画家和漫画家组成。他们在国共内战期间奔赴香港,进驻当地进行左翼美术建设。解放后成员陆续返回内地,画会由此结束。在此期间,他们的美术创作在香港的政治文化气候下呈现出新的景象,而政治上的规训也始终没有脱离他们的美术生活。 本文因地利之便,在史料搜集的基础上,对人间画会的成立、人员和活动进行考证,以期能较为准确客观的复原其本来之面貌,并进一步对其进行合理阐释。 |
文摘(外文): |
China's modern art history have a great
deal to the development of the 20th century China's revolution, especially
prints and cartoons.The renjian Art was
a radical art groups which actives in the late 1940s Hong Kong. Its members all from the mainland, most of them were Version
painter and Cartoonist. During the civil war in This paper uses geographical advantagesm, in the collection of historical materials and on the basis of the establishment of human painting.I hope that I can do more objective and accurate reproduction of its original outlook and further make it reasonable explanation. |
分类号: | J |
公开日期: | 2060-11-01 |