本文结合了四川地区宋代墓葬的形制结构以及装饰模式对安丙墓的墓室构造、装饰题材以及墓葬空间的设计逻辑进行了详细的对比研究。在这个过程中本文还结合了地上宗教石窟考古材料以及相关的文献资料，同时结合安丙墓所处的地理位置，深入分析了安丙墓的设计构思及其意义。

安丙墓在墓葬的建造方面体现出了传统造墓的手法，但是与此同时，安丙墓的设计又有它独特和创新的一面。首先，安丙夫妇墓在遵循四川地区特有的同坟合葬模式的同时，选择了明确的两性装饰题材，对双室墓做出了一个十分清晰的两性空间划分。

其次，安丙墓还在一些传统的装饰题材上进行了个人化的改造，传统四神中的“玄武”被巧妙地改换成了道教神祇中的真武大帝。同时，安丙墓还对四神中的青龙形象进行了独特的刻画——攀附于青龙身上的玄武和墓主人安丙形象既是出于墓葬设计的需要，也同时反映出了墓主人安丙的升仙观念。

第三，安丙夫妇墓的三重后龛以及围绕着后龛安排的人物组合，是对地上宗教窟龛建造和造像组合的直接模仿，这是安丙墓在设计上有异于其它宋墓的最明显之处。这反映出了宋代四川地区繁荣的宗教艺术对地下墓葬艺术的深刻影响。

最后，本文还讨论了出现于墓室后龛的安丙肖像。安丙肖像的刻画有异于一般墓主像的表现方式，一方面这体现出了宋代武将喜欢标榜自己的文人姿态的现象，另外它也象征了安丙死后升仙成为仙道人的姿态，同时它也十分形象地反映出了部分宋代文人士大夫的灵魂观念。

This thesis combines the shape and structure of tomb and decorative pattern of Song Dynasty in Sichuan region .It has carried on the detailed comparative study for the tomb constructed, decorative themes and the design logic of burial space of ANBING tomb. In this process, this thesis also linked archaeological material of religious grotto and related documentation. At the same time, combined with the geographical location of the ANBING tomb. And deeply analysis of the design and its significance for ANBING tomb

ANBING tomb reflects the practice of the traditional construction of the tomb, But at the same time, the design of the ANBING tomb also has a uniqueness and innovations. First, ANBING couples tomb followed the unique Funeral mode of Two tomb together in Sichuan. And then it select the explicit decorative themes of male and female, and made a very clear gender space.

Secondly, the tomb of ANBING has been transformed In some of the traditional decorative themes。The traditional "Xuanwu" Has been subtly change became a Taoist god Chen-Wu。In addition，ANBING tomb depicts a unique Dragon——Xuanwu and the owner of the tomb ANBING has been hanging in the Dragon's body，It is the need for burial design，It also reflects the owner of the tomb ANBING’S becoming immortal concept.

Third, The triple shrine of ANBING couple's graves and the character of the shrine around arrangements, Directly imitate the construction of the religious shrines of ground。This is ANBING tomb significantly different from the other Song Dynasty Tombs。This reflects a profound impact on the art of underground tombs of the religious art in Sichuan Song Dynasty。

Finally, This thesis also discusses the ANBING portrait of the shrines in the tomb. The ANBING’S portrait is different from the general tomb portrait. On the one hand this reflects the Song Dynasty generals like to show the gesture of his civility. On the other hand, it also symbolizes the attitude of the ANBING's death to become immortal. At The same time, it also vividly reflect the concept of the soul of part of the literati of the Song Dynasty.