摘要

笔者在研究生期间将中国传统佛教造像作为主要研究课题。其目的是通过临摹方式对传统佛教造像进行研究并希望能在现有雕塑创作中有深刻的领悟。就临摹衣纹的体会来说，早期佛教造像衣饰衣纹是反映了印度犍陀罗和秣菟罗造像的特点。至唐代以后，佛教造像开始向世俗化转变，衣纹造型上有了丰富写实的风格，此前多采用的传统阴线刻法，被逐渐运用阳线凸起法和弧形阶梯式的衣纹特点所完全替代。

本人通过对中国佛教雕塑的实地考察、临摹和过程记录，采用比较、联系，由实践到理论的研究方法来思考当下对雕塑创作的认识。在接受现代学院雕塑教育的同时，吸收传统雕塑的手法，并将自己实践的体会融入到创作中。创作的过程,是：雕塑内容方面主要借鉴了唐代佛教造像的衣纹表现特征，并将西方经典雕塑形式加以合理运用。从雕塑造型方面对雕塑的衣纹形式、技法、材料等方面进行深入分析与研究。本文对衣纹研究正是基于此目的。

唐代是我国封建社会的鼎盛时期，综合国力的提高，推动了整个社会艺术水平的发展。盛唐时期，佛教造像在吸收外来经验和继承传统的基础上最终形成自己的风格。唐代佛教造像衣纹非常典型，它有别于其它时期的佛教造像。其中，盛唐时期的佛教造像样式具有断代意义。认识了盛唐时期的佛教造像风格，就可以了解初唐、中唐、晚唐乃至五代、宋代的佛像特色。

Abstract During my graduate, I research on traditional Chinese Buddhist statues as the main subject which aims to have deep insight in the creation of contemporary sculpture through copying the traditional Buddhist statue. Through the experience of copy the early Buddhism statues' clothes pleat, I found that it reflects characteristics of India gandhara and Mathurā. Secularization in the change of Tang dynasty Buddhism statues started to occur. Field trips and copying Chinese Buddhist sculptures are recorded, analysis and compare are used to think about the present understanding of the creation of the sculpture from the way of practical and theoretical study. Acceptance of modern sculpture education of the College as well as the absorption of traditional sculpture techniques, I infuse the practical experience into the creation with the process: the topical subject draws on the Tang dynasty Buddhist sculpture's clothes pleat features and reasonably use western classical forms of sculpture to create. Sculptures modeling clothes pleat forms, techniques, materials, and other aspects wound be deeply analysed and researched. Study in this article of the clothes pleat is based on here. Tang dynasty was the heyday of feudal society in China, enhancing its comprehensive national strength and promoting the development of the artistic level of the whole community. During the time, Buddhist statues built up its own style on the basis of the inherited tradition and absorbing foreign experience. Tang's Buddhism statues' clothes pleat is typical and differs from other period. Hence, Tang's Buddhist statues could divide the history into periods. After acquainted Tang's Buddhist statues style, we can learn Buddhist statues' characteristic of Tang dynasty from early to late、the five dynasties and Song dynasty.