唐代仕女画是唐代人物绘画最显著的成果之一，体现了中国绘画在唐代已经形成了十分成熟的技法语言和难以逾越的审美高度，对我国绘画史的发展有着举足轻重的作用。唐代描绘绮罗人物、官闺丽人的画作盛行，涌现了一批杰出的宫廷画家和经典作品。给后世留下了宝贵的文化遗产，其作品中呈现的审美取向展示出唐代的艺术风范。唐代的女性形象有别于中国古代绘画的任何一个时期，值得当下的艺术工作者对其进行分析和研究。尤其是隐藏在仕女画背后的审美价值取向，当然也包括了文化、宗教、社会风气对绘画所产生的诸多影响。由点到线再到面，由景至“情”，借此深入分析《捣练图》中仕女的形象美，或许可以从侧面反映出这一历史阶段独一无二的艺术内涵，深入的了解其朝代背景下人们的审美转变，具有较大的艺术研究价值。

The painting of ladies in Tang Dynasty is one of the most remarkable achievements of the figure painting in Tang Dynasty. It reflects that Chinese painting has formed a very mature technique language and an insurmountable aesthetic height in Tang Dynasty, which plays a pivotal role in the development of Chinese painting history. In the Tang Dynasty, paintings depicting wonderful figures and officials were popular, and a number of outstanding court painters and classic works emerged. The aesthetic orientation of his works shows the artistic style of the Tang Dynasty. The female images in the Tang Dynasty are different from those in any previous era. The aesthetics and connotation reflected by them also have the characteristics of the development of this era, with unique beauty, which is worthy of analysis and research by contemporary artists. Especially the aesthetic value orientation hidden behind the lady painting, of course, also includes the culture, religion, social atmosphere on the painting of many influences. From the point to the line to the surface, from the scene to the feeling, this in-depth analysis of the image of the ladies in "Court Ladies Preparing Newly Woven Silk", from the side to understand the aesthetic transformation of people under the background of the dynasty, has a great value of artistic research.